Nick Brandt’s safari photos are some of the wildest, most powerful photos I’ve seen in a long time. There’s a haunting, heart-stopping quality that comes out even across the Internet. Here’s what Nick says about his own work:
Few photographers have ever considered the photography of wild animals, as distinctly opposed to the genre of Wildlife Photography, as an art form. The emphasis has generally been on capturing the drama of wild animals IN ACTION, on capturing that dramatic single moment, as opposed to simply animals in the state of BEING.
I’ve always thought this something of a wasted opportunity. The wild animals of Africa lend themselves to photographs that extend aesthetically beyond the norm of 35mm-color telephoto wildlife photography. And so it is, that in my own way, I would like to yank the subject matter of wildlife into the arena of fine art photography. To take photographs that transcend what has been a largely documentative genre.
Aside from using certain impractical photographic techniques, there’s one thing I do whilst shooting that I believe makes a big difference :
I get extremely close to these very wild animals, often within a few feet of them. I don’t use telephoto lenses. This is because I want to see as much of the sky and landscape as possible–to see the animals within the context of their environment. That way, the photos become as much about the atmosphere of the place as the animals. And being that close to the animals, I get a real sense of intimate connection to them, to the specific animal in front of me.